Thursday, September 21, 2006

A Song of Myself - Poetry Thursday



One morning, you wake
to the rumble of the wardrobe door
as the 8.10am bus bears
your eldest child over the speed ramp,
along the street where you live.

Groggy, you rise, tiptoeing
downstairs to the kitchen, pull
out a saucepan, placing it quietly,
pouring in the white shush of milk
and turn the knob.

A warm breakfast feeds
five other children. You wake them
from their duveted dreams,
place the dishes on a dining table,
with spoons and call on them to eat.

Making lunches of ham, always ham,
and bananas instead of apples, sealed
in plastic boxes – one, two, three, four, five,
and fill their bottles; three pink ones,
two black ones.

In the tumult of their trousers, tights and shirts
you fill their bags and send them, hatted,
scarved and gloved, to school
and listen to a silence frayed
by the distant rumble of a wardrobe door.

As the kettle reaches boiling point,
you turn on your PC and plan a menu for tea.


Tuned to the noises of her home –
she rose fairly soft with rosy cheeks.
A house upon a road that ran

from east to west across two countries.

One country of army towers and ramps
of sudden khakied strangers, talking into
radio sets worn on shoulders that carried guns
and the scent of an older menace.

The other country of cattle, the smell of manure.
A faded cottage in a colour garden,
of lawns and apple trees. Box hedges borderlined
a market garden, kings and cabbages suffocated

by the trees gone over through excess of water
and light. Both sides of the one coin, spent
by two families of the one branch.

But she rises, fairly soft with rosy cheeks,
she is seven, not six, nor eight neither.
She does not know.


Before you knew, in the sense of that awareness,
what you held? The song of wood pigeons calling,
answering, in the wood behind your home,
told all – the realm of territory, a few square mile

to fly over, a wood of trees before the disease
killed slowly, choking out the birds, giving less
cover to the games of children; cops and robbers,
cowboys and ‘injuns – heard but never played with.

A solitary breeze blows across a marsh field
your playground; hillocks and mounds preparing
you for the tumble of ancient monuments
and the organised disorder of grass that died.


A square box of a bedsit: a bed, a wardrobe,
a sink and a counter gashed with a white cooker.
A black-and-white TV, a three-in-one stereo.
White counterpane, white walls plastered

with teenage detritus. Posters faded, frayed
matchsticks, butts, sink full of dirty knickers,
a pedal-powered Singer, that served
as dressing table. Nights of ‘Sex Dwarf’

and days of black clothes and maquette faces.
An apprenticeship of make-up, drinks,
appetites for loud, thoughtless remarks;
a remaking of personality within those walls.


Breathless with the pulsing, purging pain –
you’ve got to feel your way toward
the end of this. You’re stuck in this panting,
waiting time. It’s four in the morning,

the black outside the frosted window fades
grey. They tell you it will be soon.
You’re waiting on your body too.
You know it’s a big ask, to push 4.2 kilos

up a hill, whilst lying on your back,
but vertical’s out of the question now.
You beg them to cut you, anything to
get it over. The midwife smiles a secret

to herself, knowing you at that point
of baby before body. And so you push,
getting ready for the crinkled blue, basted
with vernix and more hair than ever thought of.


A summer gone by, hearing children’s voices
playing make-believe: doctors and nurses,
houses and schools, their world populated
by your roles and those of imaginary

friends – too sketchy to make
it into this world. Your’s had no image,
just a voice that helped at night, before the
days of siblings, when you needed language

out loud. Their’s have blurs
from Pokemon or Yugioh, cartoonish

colours that hop-scotch with them
around the water-feature and up the garden path.


The side window at the top of the stairs
overlooks next door’s stage of patio doors.
Twin boys of one, orbit their mother,
dark haired, framing her company.

She’s always hanging clothes up,
when I catch her, on an airer inside;
not much drying in this drab winter.
I guess that she sees brighter colours

back home, kept wrapped inside her
head-dress. A colour like orange
or red doesn’t glimmer here under grey.
Better held inside for warmth.

And behind me the crone sleeps
in the morning. She wakes at night.
I hear her voice, alcohol tempered
she drones a life by, without waiting for a reply.

If you made it down this far - thanks very much for reading!


Beloved dreamer said...

How beautiful but so so bleak.Your discripions of this life are bare to the bone. Every rib shows, every line in her(YOU?) face and mind leads down the road of life that we all must walk.
Well done! The repetitions of daily life are true for us all.


Deirdre said...

Great language in this poem. I normally glance at a long poem and don't even get started reading, but yours flowed so well and pulled me in - I swam the whole way. Great imagery throughout.

I have never been to Dundalk, but my uncle lived in Ardee for years. My dad is from Cavan and my mom from Galway, and I grew up in NYC, but am now living in Sweden. Mom of one with another one on the way, due in January.


bb said...

i posted a longer poem today too, they all seem to be getting longer these days - learning a different discipline, perhaps?

how long did it take you to write this?

did it all come tumbling out, or was it fits and starts?

i'm very interested in process today :-)

and 'basted with vernix'. that image won't leave me for quite some time...

Cailleach said...

Beloved dreamer, yes I think you are right about being bleak - this was written just after mid-winter, a time when I am usually waiting, treading water until spring begins. I suppose I can be a bit bleak about the chor-ishness of motherhood too.

Deirdre, thanks for reading and for your comments too. I love the way the world can be made to feel smaller with these community networks (web of affinities :¬)

bb thanks for popping by. This poem was written over about two weeks. I was trying to sustain the feeling that I had from the origination point, which I found heavy going - because it is so damn depressing. I find doing this a great mental exercise (sort of like putting yourself mentally into another pair of shoes, so to speak). Some of it tumbled all right, but I then left it and then came back for editing about a month later, but I've been tinkering ever since. I tinker with everything!
I must try writing somethign less depressing...

Anonymous said...

This seems to be my destiny today...each blog I get directed to contains another poem. This one though is sublime. Thanks for sharing, and thanks for the short story tip off and link, which minx has tipped me off to come and check out!

Beloved dreamer said...

Hi again! Your poem is bleak but that just adds to it's beauty.
Thank you for stopping by and for your comments on my poem.
As you can see, I like "Bleak". :-)

Anonymous said...

Of course I made it down that far, once I started I couldn't stop!

Not bleak - just life.

apprentice said...

I love the piece about one family and two countries. And I can see the landscape very clearly as being from Ayrshire we share so much with you.

It was a great start to my day.
Thank you